The Indian atmosphere in his poems is very clear and profound. Man's conscious and subconscious states, which are the stimuli of his thoughts and actions, Meeraji tried to formulate new language, new symbols, new terms and new characters to express them. Meeraji can be remembered as the founder of a new school of poetry. Additionally, he also wrote pivotal articles of criticism. In prose, he translated ‘Kuttanimuttam Kavyam’, the classical Sanskrit poetry of Damodar Gupt titled ‘Nigar-Khana’. The consolidated works of Meeraji include, 223 Nazms, 136 Geet, 17 Ghazals, 22 versified translations, and 5 parodies among others. Despite many efforts, no Bombay newspaper published any news of his death. At his funeral, there were only a handful of individuals Akhtar-ul Iman, Mahender Nath, Madhusudan, Najam Naqvi, and Anand Bhushan. Eventually, he passed away on November 3, 1949. He had swelling on his hands, feet and abdomen. The doctor said that such complications often occur in patients with syphilis. When his condition worsened, he was admitted to a government hospital. When his condition changed, Akhtar-Ul Iman took him to his house but he did not abstain there either. He complained of diarrhea but did not abstain and did not seek treatment. By now, his health had deteriorated due to excessive drinking and irregular eating. He was issuing the magazine ‘Khayaal’, and entrusted the task of editorship to Meeraji a task which fetched him Rs. After a few days, Akhtar-ul Iman also came to Bombay. But even in Pune none of Meeraji’s job arrangements could be made, and he reluctantly returned to Bombay on 16th October 1947. He accommodated Meeraji with him with great affection. Later he went to Pune, where Akhtar-ul Iman was residing. After arriving in Bombay, he did not get any work for over 3 months. In 1945, Meera Ji reached Bombay to try his luck in films. It was such a severe infatuation that Sanaullah Dar changed his nickname from Sahari to Meeraji. During his school days in Lahore, he fell in love with a Bengali girl, Meera Sen. While working in "Adabi Dunya", Meera Ji wrote articles and translated the works of many Western and Eastern poets to inform the Urdu world about their lives and their literature, and which was later compiled as ‘Mashriq aur Maghrib ke Naghme.’ During this period, his naturalistic creations began to be published in "Adabi Dunya" and other magazines and his critical articles captivated the readers. After failing in matriculation, Meeraji, against the wishes of his father, got a job in Maulana Salahuddin's magazine "Adni Dunya" for Rs. Part of Meeraji’s childhood and youth was spent in the Indian state of Gujarat. Meeraji had no interest in academic studies, he had a penchant for literature and scholarly books. Meeraji loved her mother very much and understood that she was extremely oppressed. Meeraji was born of his second wife, Sardar Begum, who was very beautiful and quite younger to her husband, who imposed himself upon her. His father, Munshi Mahtabuddin, used to work as a railway contractor. He came from Kashmir, where his ancestors had come just a few generations ago and settled in Gujranwala. Meeraji’s real name was Muhammad Sanaullah Dar. Rashid opined that Meeraji wasn’t just a poet, but a phenomenon. Meeraji is considered among the poets who brought forward and advanced the style of symbol-ridden poetry in Urdu.